Camera shake is a common cause of blurriness in many photographs. This blurriness is a bigger problem when you're using a long zoom lens without a tripod or when you're taking pictures in low-light conditions where the need for a long exposure time means that the camera's shutter speed must be slower to allow for more light to reach the camera's image sensor. With a slower shutter speed, even the tiniest movement of your hand or vibration of the camera can cause your photo to be blurred.
That's where Image stabilization (vibration reduction in the Nikon world) comes into the picture.
Image stabilization technology (IS) can help with this blurriness because it reduces the effect of camera shake or vibrations. IS compensates for handheld camera shake that can cause your photos to be blurry.
In other words, Image Stabilization is a really handy feature to have and, although it's not necessary, I like having IS on my cameras and I recommend it if you are shopping for new gear.
There are two basic configurations for Image Stabilization.
Some camera models feature an Image Stabilization system housed within the lens body. Canon, Nikon, and Panasonic all use in-lens stabilization. With this type of system, a floating lens structure works to compensate for any camera movement.
The advantage of in-lens stabilization is that it can be designed specifically for that lens. So lens-based systems can be optimized for a particular lens, making the system very accurate. Inn addition, in-lens stabilization can also make composing and focusing easier since the image is stabilized as it moves through the lens optics and that means that the image that you see in the viewfinder of the camera is stabilized.
But there is a disadvantage to lens-based IS systems and it's that you have to purchase IS lens and they are more expensive (and heavier too) than non-stabilized lens.
Other camera brands use in-camera Image Stabilization. Sony, Pentax and Olympus all put the image stabilization mechanism into their camera bodies.
In-camera IS works by moving the image sensor to offset camera shake. For this reason, in-camera IS is sometimes called Sensor-Based Image Stabilization.
The biggest advantage of camera-based IS is that you can use it with any lens, which can mean that it's a significantly less-expensive option.
The disadvantage is that the image that you see in the viewfinder is not stabilized and that can make for a tougher time focusing and composing.
So far, we have been talking about stabilization systems that operate via a mechanical (also called optical) mechanism.
But you may come across a camera that features Electronic Image Stabilization, sometimes called Digital Image Stabilization or EIS.
EIS works by using the camera's onboard software to digitally simulate image stabilization. This works differently on each camera. One camera may use an anti-blur filter to accomplish this; another camera may increase the camera's ISO setting. ISO is a measurement of the light sensitivity of your image sensor. When the ISO is increased, the image sensor requires less light to properly expose the image meaning that the camera can shoot at a faster shutter speed, which minimizes blur from camera shake.
Whatever the specifics, digital image stabilization isn't particularly effective. I recommended that you avoid it and look instead for a model that employs a mechanical/optical mechanism.
Here are a couple of things to keep in mind about image stabilization.
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It's that time of year again! Time for holiday fun and family gatherings.
And it's a great time to capture your family in a group portrait.
Here are some tips for shooting a great group photo:
One of the biggest new enhancements in the latest version of both Lightroom and ACR (Adobe Camera Raw) is the addition of Luminance and Color range masking.
Range masking allows you to limit the area of your image that is affected by local adjustments based on a range of colors or tones within your image. And, best of all, the masking is totally non-destructive and re-editable.
All images tell a story. But it isn't always the story we want to tell.
Selective focus is a simple but powerful technique that can help you control the narrative by managing which part of your image stands out and which part doesn't. And with that, the story behind your images becomes clearer.